Convenient: Easy drop off and pick up of the product at any Long & McQuade location.No Lemon Policy: Your product will be replaced should the same problem occur multiple times.
R 13 buffet clarinet full#
If this is not possible, a full refund will be provided. Product Replacement: If your product cannot be fixed or costs too much to fix, we will replace it with the equivalent model for no additional charge.Ultrasonic cleaning for brass instruments will be provided if deemed necessary by our repair staff, but is not routinely offered under the Performance Warranty. Band and Orchestral Performance Warranty does not include replacing pads or cleaning for woodwind instruments, unless deemed necessary by our repair staff. Performance Guarantee: Normal wear and tear is covered, so your product will be performing as well as the day you purchased it for the entire duration of the coverage.How does the Long & McQuade Performance Warranty differ from most manufacturers' warranties? Baritone Horns, Euphoniums, and Alto Horns.Speakers - Speakers & Tweeters Component.But as important and practical as these issues are, none has anything to do with the artistic concerns of the clarinetist beauty of tone, responsiveness and stability of tone in dynamic changes, etc. No one wants a clarinet that cracks, leaks or is dimensionally unstable. There is no doubt these features inherent in Grenadilla wood are practical concerns for clarinetists as well as manufacturers.
R 13 buffet clarinet crack#
In the end, Grenadilla was chosen above other woods because of practical concerns: it was comparitively stable, machined like metal, did not crack as often as other woods and generated less waste in the manufacturing process (this saved money).īecause of these qualities, Grenadilla wood made it possible for manufacturers to economically produce wood clarinets on a large scale. Honduran Rosewood barrels are also usually lined in hard rubber for the same reasons.Įach one of these problems is frustrating to manufacturers, each is difficult, time consuming and costly to solve, and any one of them would label Honduran Rosewood as unviable for large scale production from the manufacturer's point of view––but not from the player's! The only solution is to line a large amount of the upper joint bore in hard rubber to stabilize dimensions and reduce cracking. Such instability causes tuning to go "wacko" and the clarinet can feel "blown out" after only a short time of playing. Finally, because the wood is so porous, it absorbs great amounts of moisture, causing bore dimensions of the barrel and upper joint to be very unstable. Rosewood cracks more frequently than does Grenadilla. In order to provide a leak proof surface for Rosewood clarinet requires tone hole inserts.
The tone holes of the natural wood are so pitted that pads leak terribly. There is much more waste involved in processing it, and waste is lost money and time. First, it does not machine nearly as well as Grenadilla. Very simple: making Honduran Rosewood clarinets is a manufacturing nightmare. So why was it not used rather than Grenadilla? It produces a darker, more coloristically stable tone of greater beauty than Grenadilla and the response is quite superior throughout the dynamic and pitch range of the clarinet. Honduran Rosewood immediately comes to mind in this regard, but there are others.
The fact is there are many other woods that have better musical qualities than Grenadilla wood woods that have a better, more stable tone woods that have a better response. We know that manufacturers often make products a particular way, with certain materials, not because it then gives the best result for the end-user, but because doing so gives them fewer manufacturing problems.Ĭlarinet manufacturing is no exception to this upspoken but widely practiced manufacturing rule. Those of us who have been in manufacturing know better. That may sound absurd to the many end users who believe uncritically that manufacturing decisions are made according to the criteria they themselves regard as important. The sound was not why Grenadilla was chosen––and it was not clarinetists but clarinet makers who made the choice. I have pasted what I found from my search.Īsk clarinetists why Grenadilla wood was chosen for clarinet making and ninty-nine out of a hundred (perhaps more) would say, "Because of the sound."
I did a search regarding the use of Rosewood for clarinets. Hello Rosewood is what was mentioned by current R-13 owner.